...Britten Saint Nicolas, with Jonathan Cooke the eponymous saint. His heroic and forceful tones, so different from Peter Pears for whom it was written, gave the whole a cutting edge and urgency, which was impressive and seemed to galvanise all the other singers.
Hastings Philharmonic - St. Nicolas 2019
Brian Hick - Hastings Observer
Another young tenor with a promising future, Jonathan Cooke was Scarpia’s henchman Spoletta, and made his mark.
Everybody Can! Opera - Tosca 2019
Tamara Cooper - seenandheard-international.com
...throughout the company – in Jonathan Cooke’s honey-toned Monsieur Triquet... ...– there was evidence of Studer and Lyness’s skill at casting, and at building an ensemble.
Mid Wales Opera - Eugene Onegin 2018
Richard Bratby - criticscircle.org.uk
Jonathan Cooke's personable Cavaradossi worked genuine Puccini ardour and lyricism into his two arias.
Carmina Priapea - Tosca 2017
Peter Reed - Opera Magazine
It was good to hear Jonathan Cooke's ardent tenor managing such a smooth transition from heavenly to earthly as Angelo.
Music in the Minster - Miracle! 2015
Martin Dreyer - Opera Magazine
If it was a gamble to cast student Jonathan Cooke as Tamino, it was justified by his ardent lyricism and relationship with Pamina
Young Opera Venture - Magic Flute - 2014
Yorkshire Post
Jonathan Cooke sported a strong tenor as Tamino
Young Opera Venture - Magic Flute - 2014
Martin Dreyer - Opera Magazine
Cooke – a veteran already of the St. Endellion Festival, a sure-fire guarantee of quality – brought Tamino a kind of Prince William-like noble spirit, which suggested he was ready made not just to join Sarastro but to replace him.
Young Opera Venture - Magic Flute - 2014
Roderic Dunnet - Seenandheard-international.com
The soloist, fine tenor Jonathan Cooke, does his one moment in the spotlight, Te ergo quaesumus, appropriate justice.
Paisley Abbey - Berlioz Te Deum - 2012
The young solo quartet was terrific, piercing the church's acoustical fog and including a boyish tenor, Jonathan Cooke, who confidently surmounted the orchestral tone in his martial, Fidelio-like solo.
Greyfriars Kirk, Edinburgh - Beethoven Symphony No. 9 - 2008
Conrad Wilson - Herald Scotland